My exposure to handweaving, particularly bashofu and Ryukyu kasuri weaving, began when i was very, very young.  I was born in Okinawa, Japan where my grandmother was a kimono-maker, bashofu weaver, and natural dye artisan.  My grandfather passed away before i was born, so my grandmother was a single mother.  She also served as the community herbalist, and local shaman.  Hence, all family members contributed to the family means for making a living.

Winding a warp? What better way is there to keep a child busy than to wind a warp around the house…want a little colourful playtime?  Dye old cloth in onion skins, of course (i have to contribute that particular play-time activity to my mother).

i'll wind and wind the indigo blues...
Winding a warp

I didn’t take any of this play activity very seriously during my childhood, but later in life, when i became interested in carrying-on our Ryukyu family tradition, those early learnings and exposure made a difference in my efforts.

Kasuri Warp Threads_w
Ryukyu kasuri warp

After taking a basic introduction to weaving class in the US, i returned to Okinawa again and again (and again) to re-learn what i had been taught before, refine techniques, and to learn new Ryukyu weave structures.  So, that was it.  The experience was magical for, in the process, i experienced moments where it seemed like all those early learnings came back to me like a flowing river meandering from one generation to the next.  I have been weaving ever since.


Ryukyu kasuri double ikat with birds in flight and farmer’s troughs motifs


Published by Ryukyu Heritage Textiles

Weaver. Fiber Artist. Photographer. Cook. Independent Traveler. Writer. Knitter. Fiber Spinner. Gardener. Geoscientist. Nature Lover. Angler. Marathoner. Wife. Observer. Taster. Technologist. Did i say Weaver?

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